Author Archives: Kaze
I previously likened God to a yandere. This time I am likening Christians to a tsundere, a real tsundere, or at least an actually well-written tsundere. I previously alluded to “real” tsunderes being far better than the average achetype we get nowadays, but let’s go a bit more in depth as we explore this comparsion. While not a requirement to the archetype, many tsundere start off with a bad relationship. Like people who do not yet know God or have had bad experiences, they reject everything about their partner and refuse to acknowledge them as equals let alone as potential love interests. However, the comparison only begins once people become interested in Christianity and forming a relationship with God. It is here that people reach an unfamiliar territory and struggle with how to approach this new relationship. From a mixture of pride and embarrassment, tsundere find it hard to admit their true feelings. In a similar way, it is hard for us to acknowledge that we are not in control of our lives, and that we must follow God completely. It is important to remember here and throughout that this is a comparison of Christian believers. Non-Christians are not tsundere for God (though you could make an argument for that based on the “new definition” of tsundere), and thus it is important to keep this analogy in reference to yourself and not impose it on others.
A tsundere is most well known for her abuse of the person she actually likes. It is repetitive to the point of annoyance and no matter how much she apologizes for it, she always seems to fall back into the same habits. While the abuse can vary from simply ignoring the person to something as absurd as violent rampaging that you would only ever see in anime, this repetition can grow to be quite annoying to viewers and is no doubt a reason for the archetype’s negative image. But as you might have already guessed by now, this repetition of hurting the one you claim to love is very reminiscent of how Christians treat God. Even though we have chosen to follow God, there is no one who ceases to sin. We continue to sin again and again; no matter how much time passes, we seem to only be able to stumble yet again. It’s a very repetitive and tiresome process. This constant sinning against God despite claiming that we regret and don’t want to is very similar to the tsundere who always reacts so cruelly despite being in love.
One thing to understand, however, is that while a tsundere constantly hurts the target of her affection, a tsundere also constantly hates herself for this. This is so important and one of the most misunderstood aspects (or rather, most skipped over aspects in writing) of a tsundere because a true tsundere is able to acknowledge her true feelings but is unable to act in accordance with it. More than a cycle of repetitive actions as a result of bad writing, a well written tsundere expresses frustration at herself for this very characteristic. She seeks to overcome her own selfishness and harshness and act according to her true feelings, but for some reason it never goes right and the cycle repeats. The frustration at herself for harming the person she likes is indeed just like how we treat God. This is the same repetitive and sometimes frustrating cycle of the life of a tsundere.
I do not understand what I do. For what I want to do I do not do, but what I hate I do. – Romans 7:15
Here’s our final part of the summer anime 2015 review! We’ve saved the best for last (or did we?)
Medieval Otaku – 9/10
Arslan Senki is one of those shows which just misses a certain something–je ne sais quoi–to render it a masterpiece. I love the massed battles, compelling and unique characters, and the torrent of schemes and traps Arslan and his champions must dodge. Though the setting is reminiscent of the Persian Empire, they bring in weapons and armor relating more to the Middle Ages–perhaps to give it more of a fantasy atmosphere. (Persians did not have long swords or maces tailor made for Sauron.) In particular, I loved the inclusion of chain mail through CG, though its proportions are cut to the size of the haubergeon–the smaller version of the coat of mail which became popular during the Age of Plate. At any rate, the show delighted the medievalist and fantasy lover in me and fully deserves the above rating–as one might expect from one of Hiromu Arakawa’s works.
Here’s part 2 of 3 of our summer anime 2015 review!
Baby Steps 2
Baby Steps 2
Annalyn – 8/10
In the Spring anime review, I gave Baby Steps 2 a 7/10. Now that I’ve finished it, I decided to give it an 8/10. I admit, it’s a little difficult to defend the score change. The visuals didn’t get much better. Most of the characters squeak by with minimal, unremarkable development, and very little about the conflict matters to Ei-chan’s life off-court. So what’s changed? This season, Baby Steps convinced me that tennis-related conflict is plenty—partially because the character himself is so absorbed in the sport, his growth as a person is attached to his growth as an athlete. He is introspective, and while he does enjoy and learn from his friends and mentors, I can’t expect the same relationship-oriented themes that are so prevalent in team sports anime. Instead, themes arise in how he approaches his sport and, by extension, his life. This season, he learns a lot about balance. Off the court, that means balancing rest, romance, eating habits, and practice. On the court, he learns to balance instinct, reason, and emotion. As he sorts through these lessons, a bigger pressure hangs over his head: he has to make it to the All-Japan Junior and win in order for his parents to support his tennis career. Before, I thought that wasn’t sufficient. I’ve changed my mind. Tennis is Ei-chan’s life, and losing it would completely change his future. I’m invested in his goals now, and I’m fascinated by his internal conflict and how it plays out on the court. I hope a third season of Baby Steps comes along soon!
As students head back to school, it’s time for our summer anime review! We have plenty of great (and not so great) anime to review, and these review posts will be featuring the most diverse set of voices from the Beneath the Tangles staff to date, so look forward to them.
My Love Story!!
Japesland – 8/10
I’ve written on Ore Monogatari numerous times as it has aired, which says something about my opinion of the series. If you’ve read those articles, then you know that I praise what it’s done to break the shoujo mold, while still holding to some of the tropes that make it what it is (utilizing without subverting, in contrast to shows like Now and Then, Here and There or Madoka Magica, which are entirely subversive). Unlike your traditional shoujo, conflicts created by teenage misunderstandings are actually resolved, and the male lead is neither a slender hunk nor egotistical. It’s a wholesome break from the mold that I appreciate for that reason, but it is by no means perfect. As much as I personally enjoyed it, I have to acknowledge the common complaints that even arose from many of our staff here at Beneath the Tangles, particularly revolving around the lack of satisfying conflict and resolutions often falling back on the male lead being a ridiculously nice guy. Regardless, I still have to praise the show for focusing on characters with moral compasses stronger than perhaps any I’ve seen before in the genre. I can’t recommend this show enough for anyone looking for a romance with less anime angst.
I’ll start by saying the title of this article has many different meanings, one of which is that you most certainly misunderstood what this article is going to be about. But I’ll start with what most people probably did think of. The tsundere is an archetype encompassing well known characters like Taiga, Shana, Nagi, and Louise. In fact, those 4 are so famous, they are called by some as the Four Tsundere Wonders. And of course I can’t ignore the fact that such (in)famous characters are all voiced by the same person: Kugimiya Rie, the so-called Queen of Tsundere. If you are familiar at all with the concept of a tsundere, you probably thought of a character of hers as soon as you read the title of this article. Although her time in the spotlight of voicing countless tsundere has ended, there was a period when this was all she was known for – and she was all tsundere were known for. This period was roughly 2006-2012, which overlapped with a spike in the Western anime fanbase, partly due to the growth in popularity of streaming services. The result is that many people associate tsundere with Kugimiya Rie and also with all her tsundere roles. And that is unfortunate.
Pretty much everyone who thinks this way has two major misconceptions. The first is that her roles are an accurate representation of the tsundere archetype, when in fact, they are the worst representation of said archetype. It was once said a poorly written yandere is just a crazy girl, but a poorly written tsundere is still a tsundere. It’s really easy to make use of this archetype, no matter how poorly executed, and when coupled with Kugimiya Rie, that’s exactly what anime got for several years – really bad, copy paste characters who could only exhibit a few cliched actions. The second, and this is not so relevant to the rest of this post, is that Rie is incapable of doing other voices. In reality, she’s a pretty talented voice actress but the demand caused her to get typecasted to a single voice, and now that’s all everyone knows her for. But I’d like to focus on the first point. When so many people consider her roles as the standard for tsundere, it completely skews their opinions on the archetype. A lot of people hate on it, some for good reasons, but most for really bad reasons, reasons that result from a completely skewed understanding of how the archetype should work, instead only knowing how it has been simplified to the most formulistic writing possible. Indeed, it is arguable that the current definition of a tsundere has changed to mean such an incredibly annoying and one-dimensional character. However, among Japanese otaku, there is a different voice actress known for the tsundere archetype: Aoyama Yukari, the “Goddess of Tsundere.” Except you’ve probably never heard of her tsundere roles because most of them are exclusive to VNs, many of which aren’t even translated. The difference between her roles and Kugimiya Rie’s roles can be pretty astounding. As such, there is an incredible gap in perception of the archetype between Japanese fans and Western fans. I won’t go as far as to say Aoyama’s roles will change your opinion but I do think there is a clear degree of faultless ignorance among Western fans regarding what actually (or at least, originally) constitutes the archetype in question. This isn’t an issue of critical thinking or being close-minded; it’s a problem caused by a lack of experience, cultural gaps, and a changing definition that creates an unfortunate misunderstanding between people who think of the best examples and those who think of the worst despite the same term being used.
With the recent episode of Charlotte, a point was brought to my attention that reminded me just how much Westerners miss out on things related to Japanese culture. While I have a different post I wanted to write, it in fact connects to this. When I previously described things lost in translation, I also mentioned cultural differences. My guess is that these cultural differences usually do not play a significant role in the plot or story. A lot of them often go over our heads as we don’t even realize we missed something. But sometimes we notice them; we notice them and interpret them according to our culture rather than Japan’s.
Episode 7 of Charlotte focuses on Yuu’s descent into madness as he is overcome with grief at the death of Ayumi. He starts off simply holed up in his apartment, eating nothing but delicious cup ramen. He escapes the school, takes an unhealthy amount of joy in a videogame, and then begins abusing his powers to win street fights. Finally, just as he is about to turn to drugs, Nao kicks some sense into him, literally. There are a lot of ways to interpret this scene but most likely there are no Westerners who reacted the way it was written to be. How bad are drugs, really? Conservatives might view the scene in agreement: drugs are very dangerous and cross a line which should not be crossed. Others don’t see it as that bad: drugs are not inherently such an evil depending on the circumstances and what kind of drug, so maybe this was a circumstantial implication. Still others don’t see how it’s so much worse than his previous state: Yuu was already stabbing people, causing serious bodily harm and enjoying it; didn’t he already cross a big line? But it’s hard to remember when thinking about this scene that you are painting the scene with your idea on drugs. And it’s harder to realize that a culture exists with a completely different view because even if your ideas are based on facts, they aren’t based on relevant facts – the relevancy here being Japanese culture.
I won’t pretend to be an expert on how drugs work in Japan, but I feel I am knowledgeable enough to shed some light and make people rethink this scene from a different viewpoint. Basically, drugs are a huge taboo in Japan. No one wants anything to do with drugs, the yakuza wouldn’t touch drugs with a ten kilometer pole, and if anyone found out you used drugs, they would probably turn you in and never want to speak to you again. You can very realistically lose your job and place in society once people find out you use drugs; they are simply viewed as that horrible. It is probably nothing like how it is in your country and culture. When Yuu is about to take drugs, it is a very clear depiction that he is about to cross a line that should never be crossed. This is understood and felt by the Japanese audience because it’s a real reflection of their culture and upbringing. Even if you agree with or accept this depiction, it will fail to invoke the same level of feelings or reactions as it would from a Japanese viewer.
Did you enjoy yesterday’s review? Here’s another packed post reviewing this past season’s anime!
stardf29 – 10/10
Yes, you read that right; I am giving this show a perfect score. And this show most definitely deserves it. This show has everything I could ask for in a concert band-themed anime. The characters are all very strong, as both main and side characters get great development individually and relationally, coming off as very realistic and multidimensional. The overall storyline does a great job of exploring the concert band experience, and many times I could really relate to the show because it reminded me so much of my own school concert band experience. At the same time, the concepts of participating in an activity seriously or not, and being inspired by and having to compete with others pursuing a shared goal, are things anyone can relate to. Kyoto Animation brings incredible production values to the show as expected, with the music being an especially strong point as the band sounds very authentic, even when they are not playing very well. Though when they do play well, it is some of the best music I have ever heard in anime. Oh, and there’s plenty of great comedy amidst all the drama, too! Any flaws with this show are just nitpicks that are up to personal preference, and the only “problem” with this show is that I want more than just the thirteen episodes we got. This show has definitely earned its spot among my all-time favorite anime (my 5th favorite, specifically), and it is a show I would wholeheartedly recommend to any anime fan.
Did you enjoy yesterday’s review? Here’s another packed post reviewing this past season’s anime!
Is it Wrong to Try to Pick up Girls in the Dungeon?
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou Ka
Medieval Otaku – 6/10
The main problem with Danmachi lies in that the essentially RPG fantasy setting is overused these days. Otherwise, one can’t deny that this is a fun fantasy romp. People complain of the fanservice, but I don’t think of it as that bad in comparison to other shows. The female characters are all quite interesting; though, Bell still strikes me as a bland harem lead. What more might I say? The animation was well done, the action engrossing, and the humor quite amusing—especially in regard to the many women in the hero’s life. A good show, but it still leaves something to be desired.
I recently watched the Digimon live stream of the entire first season. It was a pretty fun, nostalgic watch, especially reading all the live comments from other fans made for a more interesting experience. I realized several things about Digimon that ran counter to my thoughts based on a mixture of nostalgia, realism, and incorrect memories. I initially recall Digimon being slowly paced, but its pacing is actually pretty darn good. While suffering the syndrome of “monster of the week,” each episode provides necessary growth of the characters (in this case, literal digivolving). When you think about it, they put in 5 arcs into 54 episodes, which made for little downtime.
A fun fact I realized is the battle in the real world takes place in Odaiba, and the famous Tokyo Big Sight is featured several times. Since the time period was also early August, this further meant the battle occurred just prior to summer Comiket! The chat had some fun joking that Digimon was really about saving Comiket. Also, apparently the soundtrack abused Bolero a lot more than I recall. Sometimes it didn’t even make sense to be playing such a song but there it was, playing in the background. Aside from obvious usage of stock footage, I also realized Digimon is quite poorly animated at times. Abrupt scene transitions and points where a couple seconds were very clearly cut indicates that there were some production issues, or possibly simply due to episode time constraints and not caring how bad the results looked. There were numerous places I couldn’t help but admit “yeah, this is some really bad animation quality,” but hey it’s Digimon, one of my most nostalgic childhood shows, so whatever.
One of the most impactful moments in Digimon to me as a child was the digivolution of Greymon into Skullgreymon. Rewatching it was…well a lot less exciting than I recall. Instead, a statement later on is made that I must have forgotten. I recalled Taichi’s forced methods as a cause of Greymon’s incorrect evolution. However, the reason was slightly different in that it was an incorrect display of courage – but technically courage nonetheless. Taichi does display a form of courage, what his crest resembles, but it was one where he purposely put himself in danger for the sake of power. It was not the forceful actions but rather a twisted form of courage which gave birth to Skullgreymon.
Christianity is known for many things today, oftentimes bad things. There are too many outspoken people who call themselves Christians while spewing hate and slander towards others. It is amazing that these people can claim to love Jesus and God while wishing death upon others. It is perhaps an extreme, modern example of the Pharisees, except these people today do not even necessarily hold positions of power or education. They are merely people who put others down to raise themselves up, at least in their own minds. This cannot even be called a twisted form of love – it is malice, plain and simple.
But what about more “normal,” everyday Christians? There are plenty of examples of Christians who don’t condemn others. Some might not be able to help judging, but they do have enough self-control to stop themselves from acting on those thoughts. In fact, some Christians are so inclined to avoid conflict, they won’t even bring up these issues with their fellow Christians. And this avoidance is the opposite problem of condemning people who aren’t Christians. It is a problem that probably crosses the mind of most Christians at some point in time, but very few will actually bring the topic up, perhaps afraid of confrontation. Those who do are often quickly shut down with excuses like “it’s not a big deal.” And I’m not necessarily referring to extreme problems like murder but smaller, everyday sins that, while understandable, are nonetheless wrong.
Allowing such actions by fellow Christians to occur right in front of us might be called a form of love for them – we are willing to accept them despite their flaws, forget their struggles with sin, and focus only on loving them for who they are. But in reality, like Taichi’s twisted form of courage, this is a twisted form of love. Read the rest of this entry