Category Archives: Music
Endings are important, so it’s no surprise that I watched the last two episodes of MekakuCity Actors with a little more trepidation than usual. I was hopeful, though: I had thoroughly enjoyed the non-linear storytelling of previous episodes, and there were many helpful explanations. Although it wasn’t perfect, MekakuCity Actors has done nothing but strengthen my love for the Kagerou Project, which seems to have formerly been rather weak in retrospect.
[Spoilers ahead, obviously. But If you want a non-spoilerific opinion on the anime as a whole, scroll down to the final paragraph]
Episode 11: Moon-Viewing Recital
It’s night, and a red moon in the shape of an eye shines. Shintaro wakes up in his room, finding that he suddenly remembers everything. Through Shintarou’s conversation with one of Azami’s snakes, we learn that seeing Ayano’s photo triggered his own eye-power, Retaining Eyes, which causes him to remember everything, including tragic memories from alternate timelines. If you remember, in Kagerou Days (Ep. 4), every time Hiyori dies, the scenario is reset. This has actually been happening for a long time, except with the entire plotline. (The exact start time is unknown, but it’s hinted that it’s before the characters were born). The snake asks him what he intends to do, and in response, Shintaro repeats the scene from an alternate timeline called Route XX in which he stabbed himself with a pair of scissors.
There are only two more episodes left of MekakuCity Actors, and, while it hasn’t been a perfect ride, I love the way all the little bits and pieces of information are finally coming together to form a story that is not only coherent (sort of), but intriguing. The two most recent episodes were based off of two of my favourite songs in the Kagerou Project, and my expectations were high. They were not disappointing in the least.
Episode 9: Ayano’s Happiness Theory
The episode opens with Ayano’s mother, Ayaka, reading her a story: The story of the little monster, in fact. So if you were wondering when the story-book clips at the end of each episode would tie in to the main plot, the answer is “Episode 9.”
Following that, there is a cover of Ayano’s Happiness Theory in place of the opening. While the cover itself is lovely, the opening art showcases some of the worst opening animation choices I have ever seen. Now, I will begrudgingly admit that after watching it several times over, it’s kind of sweet on its own, but the fact remains that when put in the anime alongside the regular animation, it’s nothing short of jarring and cringe-worthy. But I digress.
Tsubomi Kido, Shuya Kano, and Kousuke were adopted by the Tateyama family, and Ayano was like a big sister to them. Sadly, their happiness was cut short when Ayaka and Kenjrou were caught in a landslide on August 15th, and Ayaka died. Not long after, Ayano finds her mother’s research notes in her father’s room…along with a copy of the little monster’s story. Read the rest of this entry
Episode 7: Konoha’s State of the World
The episode opens with us learning that Haruka has collapsed and is now hospitalized. Takane feels awful for leaving him alone, and decides to leave him with Kenjirou and get his things from the school instead of staying with him.
As she is wallowing in shame, she runs into Ayano, who has also been attending supplementary summer classes. They talk about school and Shintaro, and eventually Ayano confronts her about her fear of being rejected by Haruka, and encourages her to tell him how she feels.Takane thought about what she said, and realised that Ayano was absolutely right. Unfortunately, she collapsed soon after, likely due to her condition, and then weird things started happening. When they were over, she was no longer human. Read the rest of this entry
Japes, our Anime Today columnist, has written a number of articles about the intersection of Christianity and anime for his other blog, Japesland. He is editing and resposting a number of these entries, including the one below, to Beneath the Tangles.
Right off the bat, I feel compelled to say that Vocaloid is an enormous passion of mine. From Hatsune Miku to Megpoid, from Supercell to Jin, I adore what the Vocaloid movement has become since its pick-up in 2007.
In case you are unsure of what Vocaloid is exactly, Vocaloid is a voice synthesis engine created by Yamaha that has, over the last several years, been used to produce music sung by fictional animated characters (this was not the original intent of Vocaloid software, and I could probably write an entire post on the history of Vocaloid alone considering I have done an hour-long lecture on the same topic, but considering this is the Internet it would probably just be easier for you to look here than to read a long post by me, though perhaps I will consider writing such a piece in the future, and while I’m doing this I might as well add a few more commas and make this sentence as long as possible,,,,). For an example of Vocaloid in action, see the clip below from a relatively recent live concert featuring the most popular of the Vocaloid characters, Hatsune Miku.
What I would like to address here, however, is not the origin of Vocaloid, but its validity as an artistic expression. What do I mean by that, you ask. Why, thanks for asking, I’ll tell you exactly what I mean!
Nana Mizuki released her 10th album on April 16th, so I’ll be doing a little review of it. Although I’m hardly a music critic and am obviously quite biased with anything involving Nana, so it will be mostly my own ramblings. I actually already made my predictions when the setlist was announced earlier, and I was right on about half of them. Also, it managed to top the weekly charts with zero competition. Ironically, her actual sales dropped significantly compared to her previous albums, which had to compete with some of the most popular artists, but she still easily picked up the top spot.
1. VIRGIN CODE
The album starts with a very disturbing sound to my ears. I may be the only Nana fan who thinks this but the very first few static noises that are essentially just background noise and ignored by most were very recognizable to me. It reminded me very distinctly of A World Where Nothing Happened from Little Busters! the track which sent chills down my spine when it played during certain scenes which were just so depressing to read. So it was a really bad way to start the album lol. Anyway, afterwards comes a pretty fast paced song, with a beat that almost never relaxes. Fast paced, powerful songs are what I love from Nana, and with this, one of my predictions was correct that this was would be one of the best songs of the album.
This song is sooo catchy with a lot of Engrish. I sort of felt like this was something I’ve heard from BoA but it also has quite a Koda Kumi feel to it. The Engrish may be jarring to some, but I honestly find it just irresistibly catchy. The major downside to this song is it doesn’t even reach 3.5 minutes, at a length of 3:18. That’s pretty rare for Nana songs. As a result, GUILTY ends up being a repeat of Get My Drift? from Rockbound Neighbors – both are incredibly catchy with a lot of Engrish but disappointingly short.
3. アパッショナート Read the rest of this entry
It is very rare that there is ever an anime I am dead-set on watching while it airs. Mekaku City Actors is an exception. For those of you that don’t know, Mekaku City Actors is based off of a series of vocaloid songs, light novels, and a manga, all known collectively as The Kagerou Project. I’ve only listened to the songs and read a bit of the manga, so while I’m very interested in the plot and characters, the majority of the story still eludes me. The Kagerou Project doesn’t have a very straight-forward story line, and when there are fan theories are based on other fan theories, it can be hard to figure out what’s going on. I have no idea if the Mekaku City Actors anime is going to be any good, but I hope that, if nothing else, it might clear up the plot a little a little for me.
Episode 1: Artificial Enemy
The story opens with a sort of dream-sequence scene, involving a girl who I will not name, because I think that might be considered a spoiler, but who is important to the story and, incidentally, my favourite character.
It’s been awhile since my last post, and that is largely because I have moved to Japan to study at none other than Tokyo University. It’s an exciting new start in my life, and I definitely feel God put me here for more than just studying, or indulging myself in otaku culture motherland. I look forward to see what sort of plans He has for me but for now it’s still a chore trying not to get lost. As such, I wanted to write something to reflect a new beginning and nothing comes to mind more than Nanoha.
Mahou Shoujo Lyrical Nanoha, as one might be able to guess from the title, is a magical girl anime, and it’s one of the best in the genre. While its first season debuted in 2004, the series still maintains enormous popularity in Japan 9 years later, with 3 seasons, 2 movies, plus three different ongoing manga stories, and more on the way, along with plenty of other merchandise. It’s definitely one of the stranger works in that an anime so popular in Japan is relatively unknown to Western anime fans despite being fairly recent. While the series begins with a very clichéd magical girl story, it is highlighted by Seven Arcs’ impressive animated battles and heartwarming stories of friendship. What distinguishes the main heroine Nanoha from so many other protagonists is her perfect middle ground between the hot-headed fighter and the reluctant pacifist. While she will always prefer to settle things peacefully through talking and mutual understanding, she does not hesitate to pick up her magical staff and ruthlessly blast her opponents with her full strength. It is lucky then, that the official description of Nanoha-universe magic includes being non-lethal despite destroying everything else.
One of the major themes in Nanoha is the idea of starting your life over. With every encounter, Nanoha engages her opponents with the desire to understand them. As the story progresses, the antagonists’ circumstances come to light, and they reach an understanding with Nanoha despite the various battles and crimes they have committed. By the end, they find themselves an ally of Nanoha with the desire to start over again on the right path. This closely parallels how it is to start a new life as a Christian. The series emphasizes the ability to have a fresh start on a more correct path. When we accept Jesus into our hearts, it is described as being born again. We start our lives over again as followers of Christ instead of followers of the world.
Love ‘em or hate ‘em, Christmas songs are ubiquitous during the holiday season. In my household, we have Michael Bublé, Martina McBride, Andrea Bocelli, and MercyMe playing constantly. The music of the season has become part of the holiday tradition for many families. A lesser tradition here on this blog is my rewording of a song that has become a holiday classic – “My Favorite Things.”
Chihaya is only a few weeks away;
Anime tropes even if they’re cliche;
Saber rises above the other kings;
These are a few of my favorite things.
Mawaru Penguindrum coming on Blu-Ray;
Kiritsugu finally fights against Kirei;
Rikka to Yuta with a pinky clings;
These are a few of my favorite things.
A couple of weeks back, my family and I saw Switchfoot, in concert. I was very excited, as Switchfoot is very possibly my favorite band, and I hadn’t been to one of their concerts since I was in college. Back then, I was so crazy for the band. I have pictures of myself with the band members, autographs from all of them (including one on the drummer’s drumstick), and I talked my way into going backstage once to get Jon Foreman to sign a CD.
They were great this time around as well, and to boot, Jon Foreman roamed through the stadium and came within a few rows of us.
They of course sang their most famous song, Meant to Live, which was released at the height of their popularity several years ago.
Fumbling his confidence
And wondering why the world has passed him by
Hoping that he’s meant for more than arguments
And failed attempts to fly, fly
We were meant to live for so much more
Have we lost ourselves?
Somewhere we live inside
I’m person who responds to those stories where a normal individual (or even one who is below average) is transformed into something more. Although these characters might be affected by some supernatural event, their growth is usually the result of a response to something – whether positive or negative.
Naruto is a good example. Read the rest of this entry
I love to sing.
I’m practically tone deaf, but that hasn’t stopped me from singing dozens of songs each day, out loud, to the
horror delight of my wife and kids. And as we rear our children, I frequently sing with them, as we join together to bellow out everything from kid’s Bible music to Beyonce (complete with finger-wagging as we declare that “if you liked it, you shoulda put a ring on it”).
Most of all, all this singing carries over into the night. My children, and my son especially, had a lot of difficulties sleeping and napping as infants. To help them along, and to keep my sanity, I would sometimes begin singing marathons that would last up to half an hour.
Doing all this singing made me realize that there are very few songs for which I know all the lyrics (How can I declare the Goo Goo Dolls once of my favorite bands when I only know 30% of the words to “Slide”?!). But one song that I do know well is “Fly Me to the Moon,” and not just the chorus-only versions. As I pushed a stroller or gently patted a baby, I would sing the Utada Hikaru version – complete with her inflections. Cause I’m just that cool.