Tag: Fate/Zero

From “Memoria” to “Unrealistic” and “MONSTER”: A Conversation with Eir Aoi

Few artists have become as closely associated with anime music over the decade and a half as Eir Aoi. Since her breakthrough with songs like “Memoria” (Fate/zero), “Innocence” (Sword Art Online), “Genesis” (Aldnoah.Zero), and “Hello Hello Hello” (A Couple of Cuckoos), she has helped define the sound of countless anime memories for fans around the… Read More From “Memoria” to “Unrealistic” and “MONSTER”: A Conversation with Eir Aoi

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The Power of God and Anime, Episode 41: The Pride of Gilgamesh, Christians, and Content Creators

Gilgamesh of the Fate franchise has one of the coolest Noble Phantasms—”Gate of Babylon.” He’s also a frustratingly arrogant character. But on today’s episode, Mike wonders if we all share some of that same pride—Christians and non-Christians both, as well as particularly young Christians, maybe of whom are in the content creation space. Plus, he… Read More The Power of God and Anime, Episode 41: The Pride of Gilgamesh, Christians, and Content Creators

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Fate/Zero: Kiritsugu & How to Dream Impossible Dreams

I may have watched Fate/Zero for Yuki Kajiura’s soundtrack, but what stays with me is Emiya Kiritsugu’s journey. Or should I say, his failure to actually take the journey. Because although he devotes his life to training, scheming, manipulating and ultimately fighting for the opportunity to encounter the Holy Grail—the “all-powerful wish-granter”—Kiritsugu forgets to do… Read More Fate/Zero: Kiritsugu & How to Dream Impossible Dreams

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Guest Post: What Philosophy Found Pleasure a Sin? A Response to Gilgamesh

Today’s guest post comes from medical school student, Dimas, and takes a look at how Christianity is sometimes depicted in one of two ways, as through Kirei Kotomine, when it is in fact neither. Christian tone and symbolism in the Japanese media and in particular anime are mostly used as a flavoring so to say;… Read More Guest Post: What Philosophy Found Pleasure a Sin? A Response to Gilgamesh

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